<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:media="http://search.yahoo.com/mrss/"
	
	>

<channel>
	<title>TOMFOULSHAM</title>
	<link>https://tomfoulsham.com</link>
	<description>TOMFOULSHAM</description>
	<pubDate>Sun, 27 Sep 2026 19:16:44 +0000</pubDate>
	<generator>https://tomfoulsham.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Index</title>
				
		<link>https://tomfoulsham.com/Index</link>

		<pubDate>Sun, 27 Sep 2026 19:15:27 +0000</pubDate>

		<dc:creator>TOMFOULSHAM</dc:creator>

		<guid isPermaLink="true">https://tomfoulsham.com/Index</guid>

		<description></description>
		
	</item>
		
		
	<item>
		<title>When a Fox Kisses a Wheelie Bin</title>
				
		<link>https://tomfoulsham.com/When-a-Fox-Kisses-a-Wheelie-Bin</link>

		<pubDate>Sun, 27 Sep 2026 19:15:28 +0000</pubDate>

		<dc:creator>TOMFOULSHAM</dc:creator>

		<guid isPermaLink="true">https://tomfoulsham.com/When-a-Fox-Kisses-a-Wheelie-Bin</guid>

		<description>Totem&#38;nbsp; When a Fox Kisses a Wheelie Bin&#38;nbsp; 2026

Delicately balanced, nothing fixed. Counter weights create a point of fragile rest, just at the edge of slipping apart. 

 When a fox kisses a wheelie bin 

an uneasy equilibrium appears between the infrastructure of limitless consumption and an animal which it involuntarily supports.
The wheelie bin, a monument to excess supporting the wild Fox, impossible to control, surviving by adapting to the landscapes we have created/decimated. Continually resisting domestication and imposed order, the fox is a symbol of resilience, and life beyond the logic of ownership


 


 

&#60;img width="1512" height="2016" width_o="1512" height_o="2016" data-src="https://freight.cargo.site/t/original/i/9ece8abfaa6389c91378a3a48e9dc2447e94ab67bda1975d692afff509834236/Totem-TomF-01.jpeg" data-mid="252663834" border="0"  src="https://freight.cargo.site/w/1000/i/9ece8abfaa6389c91378a3a48e9dc2447e94ab67bda1975d692afff509834236/Totem-TomF-01.jpeg" /&#62;
&#60;img width="1512" height="2016" width_o="1512" height_o="2016" data-src="https://freight.cargo.site/t/original/i/95a008587d964c6ec3dacc80def0bdaae2650f374541645389484678b718c8af/Totem-TomF--05.jpeg" data-mid="252663837" border="0"  src="https://freight.cargo.site/w/1000/i/95a008587d964c6ec3dacc80def0bdaae2650f374541645389484678b718c8af/Totem-TomF--05.jpeg" /&#62;
&#60;img width="1200" height="1404" width_o="1200" height_o="1404" data-src="https://freight.cargo.site/t/original/i/b9a124e1ab05190819524498650838862fb106dc3e9fc8ad8ec84fa28bb678fc/Fox-Bun-and-Tom.jpeg" data-mid="253457021" border="0"  src="https://freight.cargo.site/w/1000/i/b9a124e1ab05190819524498650838862fb106dc3e9fc8ad8ec84fa28bb678fc/Fox-Bun-and-Tom.jpeg" /&#62;
&#60;img width="1510" height="1908" width_o="1510" height_o="1908" data-src="https://freight.cargo.site/t/original/i/c5af11237f4290f21f2b4896a3d2d5f04515d822ac59f215d21cce8648cc1f82/Totem-TomF-03.jpeg" data-mid="252663836" border="0"  src="https://freight.cargo.site/w/1000/i/c5af11237f4290f21f2b4896a3d2d5f04515d822ac59f215d21cce8648cc1f82/Totem-TomF-03.jpeg" /&#62;
&#60;img width="2142" height="2856" width_o="2142" height_o="2856" data-src="https://freight.cargo.site/t/original/i/99879e8bc702f75e6f298f809080053c22c326045efba69e65bf5442dc8a26bc/Totem-TomF-02.jpeg" data-mid="252663839" border="0"  src="https://freight.cargo.site/w/1000/i/99879e8bc702f75e6f298f809080053c22c326045efba69e65bf5442dc8a26bc/Totem-TomF-02.jpeg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>Little House</title>
				
		<link>https://tomfoulsham.com/Little-House</link>

		<pubDate>Sun, 27 Sep 2026 19:15:43 +0000</pubDate>

		<dc:creator>TOMFOULSHAM</dc:creator>

		<guid isPermaLink="true">https://tomfoulsham.com/Little-House</guid>

		<description>Little House

Nunnery Gallery Bow Open 2025&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Until

Sunday 31st August

A sculpture of soft defiance — a puppet house made of silk, delicately turning itself inside out through its own front door. Architectural and bodily, it enacts a quiet struggle of metamorphosis. The structure unravels from within flowing through itself.&#38;nbsp; A silent motor pulls the hand-stitched silk house through a system of threads and pulleys.
 
Little House quietly resists fixed form, dissolving boundaries as inside becomes outside in continuous motion.









&#60;img width="3415" height="5120" width_o="3415" height_o="5120" data-src="https://freight.cargo.site/t/original/i/1b9efb2f37470db32c3e9e5f274a30593c82a56b3671bd9aad42e41b327aa418/Slipping02.jpeg" data-mid="252664068" border="0"  src="https://freight.cargo.site/w/1000/i/1b9efb2f37470db32c3e9e5f274a30593c82a56b3671bd9aad42e41b327aa418/Slipping02.jpeg" /&#62;
&#60;img width="5120" height="3415" width_o="5120" height_o="3415" data-src="https://freight.cargo.site/t/original/i/5dd1ac47c502641e31e5c0d2c6c124d34f1c6570549249489d2a90739e321dbe/Slipping04.jpeg" data-mid="252664070" border="0"  src="https://freight.cargo.site/w/1000/i/5dd1ac47c502641e31e5c0d2c6c124d34f1c6570549249489d2a90739e321dbe/Slipping04.jpeg" /&#62;
&#60;img width="3415" height="5120" width_o="3415" height_o="5120" data-src="https://freight.cargo.site/t/original/i/433323914451c1df7ab6a1380f22887841807c13d33e0544b7ac239f5a5c6a20/Slipping03.jpeg" data-mid="252664069" border="0"  src="https://freight.cargo.site/w/1000/i/433323914451c1df7ab6a1380f22887841807c13d33e0544b7ac239f5a5c6a20/Slipping03.jpeg" /&#62;
&#60;img width="5120" height="3415" width_o="5120" height_o="3415" data-src="https://freight.cargo.site/t/original/i/321abb3526cc16fb033231f978e6420a68164d68070bbd41ea7f3e3b8013ad5e/Slipping01.jpeg" data-mid="252664067" border="0"  src="https://freight.cargo.site/w/1000/i/321abb3526cc16fb033231f978e6420a68164d68070bbd41ea7f3e3b8013ad5e/Slipping01.jpeg" /&#62;
photographs by Rob Harris
















</description>
		
	</item>
		
		
	<item>
		<title>Together</title>
				
		<link>https://tomfoulsham.com/Together</link>

		<pubDate>Sun, 27 Sep 2026 19:15:30 +0000</pubDate>

		<dc:creator>TOMFOULSHAM</dc:creator>

		<guid isPermaLink="true">https://tomfoulsham.com/Together</guid>

		<description>Together&#38;nbsp; 2026
Ceramic Pig and Fox balance precariously. Relying totally on each other, nose to nose,&#38;nbsp; nothing is fixed. Held at the edge of falling apart in a moment of stability.


 

&#60;img width="2142" height="2856" width_o="2142" height_o="2856" data-src="https://freight.cargo.site/t/original/i/b26168e9cd6e0ff3b1ab8a7d96659c3da3e90c8f3f1cb932328e242aa47e8644/IMG_7386.jpeg" data-mid="252663868" border="0"  src="https://freight.cargo.site/w/1000/i/b26168e9cd6e0ff3b1ab8a7d96659c3da3e90c8f3f1cb932328e242aa47e8644/IMG_7386.jpeg" /&#62;
&#60;img width="3466" height="5074" width_o="3466" height_o="5074" data-src="https://freight.cargo.site/t/original/i/a17da75d68e67c6c852b519d42e0626f49ddd23088fe62d1d7b8565ec7831197/IMG_3951.jpeg" data-mid="252663869" border="0"  src="https://freight.cargo.site/w/1000/i/a17da75d68e67c6c852b519d42e0626f49ddd23088fe62d1d7b8565ec7831197/IMG_3951.jpeg" /&#62;
&#60;img width="1512" height="2016" width_o="1512" height_o="2016" data-src="https://freight.cargo.site/t/original/i/fd1f856ae6450fce51f70b64d58bcefc006c07611c1e1c0fc3afdbfda682dfea/IMG_6784.jpeg" data-mid="252663867" border="0"  src="https://freight.cargo.site/w/1000/i/fd1f856ae6450fce51f70b64d58bcefc006c07611c1e1c0fc3afdbfda682dfea/IMG_6784.jpeg" /&#62;
&#60;img width="1126" height="1634" width_o="1126" height_o="1634" data-src="https://freight.cargo.site/t/original/i/01389c87362aa4815d192bc18895286b8b2f58fa7d50cb8f763ade023a78d0df/IMG_6757.jpeg" data-mid="252663866" border="0"  src="https://freight.cargo.site/w/1000/i/01389c87362aa4815d192bc18895286b8b2f58fa7d50cb8f763ade023a78d0df/IMG_6757.jpeg" /&#62;
&#60;img width="779" height="1280" width_o="779" height_o="1280" data-src="https://freight.cargo.site/t/original/i/3b749e2743d8b3843739de63882e64d4a5d78cdb418d4b1a3784fa9f15c3a0ab/IMG_6583.jpeg" data-mid="252663864" border="0"  src="https://freight.cargo.site/w/779/i/3b749e2743d8b3843739de63882e64d4a5d78cdb418d4b1a3784fa9f15c3a0ab/IMG_6583.jpeg" /&#62;


&#38;nbsp;

	
 



</description>
		
	</item>
		
		
	<item>
		<title>Ubicua Gallery</title>
				
		<link>https://tomfoulsham.com/Ubicua-Gallery</link>

		<pubDate>Sun, 27 Sep 2026 19:15:29 +0000</pubDate>

		<dc:creator>TOMFOULSHAM</dc:creator>

		<guid isPermaLink="true">https://tomfoulsham.com/Ubicua-Gallery</guid>

		<description>
	
	
	
 


Ubicua Gallery Group Show 2025


 





F♯ Meets G


&#60;img width="4144" height="3479" width_o="4144" height_o="3479" data-src="https://freight.cargo.site/t/original/i/645f00bf0d33dbc285145d95c1e7315c02d20f96bffeb6c08d01966a5af3ed37/Paper001.jpg" data-mid="252663846" border="0"  src="https://freight.cargo.site/w/1000/i/645f00bf0d33dbc285145d95c1e7315c02d20f96bffeb6c08d01966a5af3ed37/Paper001.jpg" /&#62;

Embossed cotton paper 760 x 560 mm&#38;nbsp;



Revealing the rhythmic dance happening inside everything, 
F♯ Meets G

 captures the invisible geometry of sound as it moves through matter. A complex interference pattern as two tones meet across a body of water is held as an imprint on a sheet of cotton paper.  It casts the impermanence of a moment of sound, making its own mark in space, as a permanent object.



Infrasound Reflection and Rotation


	
    
	
     



Translating the invisible energies moving through ourselves and our environment, Infrasound

 gives form to what is usually unseen. 
Inaudible delta waves oscillate through the mirror and the paper Sail at ¾Hz and 1Hz.
Shaping vibrational energy into paths of movement drifting through space.




</description>
		
	</item>
		
		
	<item>
		<title>Works</title>
				
		<link>https://tomfoulsham.com/Works</link>

		<pubDate>Sun, 27 Sep 2026 19:15:43 +0000</pubDate>

		<dc:creator>TOMFOULSHAM</dc:creator>

		<guid isPermaLink="true">https://tomfoulsham.com/Works</guid>

		<description>
Tom Foulsham Works

B♭ Minor Arrangement for 3 Musicians and 1300 Meters, performed for London Contemporary Music Festival 2022 and Chilgok Transmedia Arts Festival, South Korea 2023.

Creating rhythm from the changing space between musicians and audience. Three notes played simultaneously slip apart through space and time, like thunder and lightning seen and heard from a distance. 

Rhythmic separations are created by differences in space. The performance evokes loss and separation as the minor chord is stretched and calls across the landscape. 

&#60;img width="258" height="247" src="https://lh7-us.googleusercontent.com/docsz/AD_4nXeWgFmiuUIRb2IsK2qXr9KcMR5CSwLENFpVBtPDz4QT6j2XDCCDZb962OWznCQip-6MsuCChcLYNQ8wUOyO2Ad0s-dx9Ra0D4A0aJ3OJlZOiLn1JvO1fMRm5q6dGGrA_nhEYY59o3bd139g7ROzmfk4YAc?key=5jToWTj3hpH9_f5QGsWLUQ"&#62;
&#60;img width="335" height="221" src="https://lh7-us.googleusercontent.com/docsz/AD_4nXce47Dwt3oSopoSqqni8tSYKKnIaDyrled4u136VeRDTUvVpScW88MTfLHxieSsBMqkqRHswySMNIwnItnCv-15JvMbizlS_THd04BsN_9atA6ZLpKEYe8wjZcTzSmdo0DyX-Eb08-odnuNPtkrZ7AwsqU?key=5jToWTj3hpH9_f5QGsWLUQ"&#62;
&#60;img width="297" height="221" src="https://lh7-us.googleusercontent.com/docsz/AD_4nXcNNX66a5yNmKsBrYLAel8DtfXnOCoX_zA_3WbJBHYj-sQA0wMGVnn8y29ZcP0o_imtC8TpsoV8fv9q2jxbeByyenW2c-SIekdPRCN50WwRgeX16fNlGTfD9jlnXIWujY_koFThWrc4duBGgRrJqEMtBchb?key=5jToWTj3hpH9_f5QGsWLUQ"&#62;
&#60;img width="374" height="247" src="https://lh7-us.googleusercontent.com/docsz/AD_4nXeN5x5Roe3TEiEQkMJC1fkzCwwV5QJvarqRnownMywD1vldLZl0AMM84yTehF1KOI8dmpoDv6Vum6NA4SqwWspUMTYW3wg410u8cieBQQWXRGjtEsvEzS-gLVdxJjWWXlEv4O_GTqSOmgM80f4tZ0xMGo-m?key=5jToWTj3hpH9_f5QGsWLUQ"&#62;

Surface 

Choreographed visualizations of energy. 

 

Surface 1 Chilgok Transmedia Arts Festival, South Korea 2023

Underwater speakers, play chords below audible frequency, rippling a water surface and distorting light. 

 

Surface 2 Rhythmic patterns, created by underwater oscillators, meet on a lake surface. The rhythmic energy dissipates across the water surface creating complex, geometric interference patterns.


&#60;img width="376" height="221" src="https://lh7-us.googleusercontent.com/docsz/AD_4nXeOzR6KPe3WPWjcvD438v7mBXS0hn2GJ6Pc3q1QHecpWz5yNW0FuRQGwbWMS0KWZk910t--04Pv_4DRZk2QFHgOypwJDqF3lnb1t2VVsMMRWLyTy8jKtw2cceJdj_gZbo4-fRe2L1-m3_1EMgSO6NsHqxum?key=5jToWTj3hpH9_f5QGsWLUQ"&#62;
&#60;img width="353" height="237" src="https://lh7-us.googleusercontent.com/docsz/AD_4nXfFLWcnH9jWOeP0kPprGwcEjYnt_rdlZEr-j8CRewWHWAn2_CTB30EIDV-ZLRt5NTW3w4aol_b_ZwKFqYvTOGTIHxHOCdYdg-fPlzfis4KavQL-PcoQETGelqSs1vu40LONN-vXWwCJR1mjhmfX3kn44dPz?key=5jToWTj3hpH9_f5QGsWLUQ"&#62;
&#60;img width="366" height="192" src="https://lh7-us.googleusercontent.com/docsz/AD_4nXcplaNY8JekJB6znl7w6R_7OrYTJHc_szyUEBRa6XsI8WeSZ1uCX-sWUTMGfjrP0XiB8baledeQlLLWbwxK3Dik-JidUZGSkrS_sBQRwFJxzUBsJ5RrFdjhBHpkjiAvn6i1q7PiIrQkGjdpnsEdsu6wE0c?key=5jToWTj3hpH9_f5QGsWLUQ"&#62;


Surface 3 Dancers in ripple making dress interact with each other, moving up and down to create rhythmic ripple patterns.



Inside Out

An independently moving mechanical puppet house slowly moves through itself, performing an endlessly repeating cycle. Transitioning through it’s front door, there becomes no inside or outside, just constant motion.
&#60;img width="385" height="235" src="https://lh7-us.googleusercontent.com/docsz/AD_4nXelnzxjhQqI1NBYvZ9BfD2SMh9z7ZvfjW0RsiOeOaTCakVUrYYKP5k69NtLAVHUmqwRRJ7mK38Y1SfT32dTtY8XAGVLquw6aek-vMjTP8lbuW8DGyEML-91vFkxO-LiXQfrWPruOtAuvC3FHdnWZdjfNPEy?key=5jToWTj3hpH9_f5QGsWLUQ"&#62;
&#60;img width="249" height="235" src="https://lh7-us.googleusercontent.com/docsz/AD_4nXeV5rQzKvcUg2heOYy5vlT4u7_vz95WjicYeXRe_RTog2a4SE9n-YwiypdkVL26gpTLYCecf7KcTnVQWSYGhLbEEK7yF8-CYj7MFIvcqnKTXj_UEjb9yZERHtcxGAWKESJ-pcG5e7brVbAtQcjkbj4DxkPS?key=5jToWTj3hpH9_f5QGsWLUQ"&#62;
&#60;img width="640" height="333" src="https://lh7-us.googleusercontent.com/docsz/AD_4nXejMRZC16GhhZ_5dKIN1jMlYBf02PwOzqn3mC0wqKdFvfg_QhZQZRDh4XPFUyeENBqvfBwgGyzQH1sBt-XR7pHERyUgeeNK7wLlTLgcXkhKN52fi3UbLmEKF69c-6iFSzYo2vyXWkj7c0394e0fsGNfPZlE?key=5jToWTj3hpH9_f5QGsWLUQ"&#62;
&#60;img width="351" height="208" src="https://lh7-us.googleusercontent.com/docsz/AD_4nXeDYCLGq2ljosij5OZHdyD90hwDkiiYTSo5beAADaRX3T0joZEl2V-x2xND19di2aJGP6FDMcnK7T2GsFsemn23h-W5aBPZ_CXPBW9gBZPk-FBBECaZllIj7fm92XghlcpVkmHadl413V5ZteEfZUVnQsHH?key=5jToWTj3hpH9_f5QGsWLUQ"&#62;
&#60;img width="283" height="208" src="https://lh7-us.googleusercontent.com/docsz/AD_4nXfGBz9D3N-lphmYc9pLngFgFpT9f6VT8Zq9ZpP7cxeWGN7gLJ__otbPVrD4Zl4oVZ8CJKI9yDpSFzMWuVBJVFV60cIqV17f84bHL28xWx01rTe1uGMsSCAbvxjPf5jUGjBQYFtV2rZLoaEIRUZ8w9Sl6Ow?key=5jToWTj3hpH9_f5QGsWLUQ"&#62;

</description>
		
	</item>
		
		
	<item>
		<title>Little House video try</title>
				
		<link>https://tomfoulsham.com/Little-House-video-try</link>

		<pubDate>Sun, 27 Sep 2026 19:16:04 +0000</pubDate>

		<dc:creator>TOMFOULSHAM</dc:creator>

		<guid isPermaLink="true">https://tomfoulsham.com/Little-House-video-try</guid>

		<description>


	Slipping&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
Nunnery Gallery Bow Open 2025&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Until

Sunday 31st August





 




A sculpture of soft defiance — a puppet house made of silk, delicately turning itself inside out through its own front door. Both architectural and bodily, the piece enacts a quiet struggle of metamorphosis. The structure unravels from within, not in destruction, but in becoming. Little House quietly resists fixed form, loosening the boundaries that hold and name us. A silent motor pulls the hand-stitched silk house through a system of threads and pulleys. Transitioning through itself, the house dissolves boundaries — there is no clear inside or out, only continuous motion.


	
	&#60;img width="3415" height="5120" width_o="3415" height_o="5120" data-src="https://freight.cargo.site/t/original/i/1b9efb2f37470db32c3e9e5f274a30593c82a56b3671bd9aad42e41b327aa418/Slipping02.jpeg" data-mid="252664329" border="0"  src="https://freight.cargo.site/w/1000/i/1b9efb2f37470db32c3e9e5f274a30593c82a56b3671bd9aad42e41b327aa418/Slipping02.jpeg" /&#62;
	&#60;img width="5120" height="3415" width_o="5120" height_o="3415" data-src="https://freight.cargo.site/t/original/i/5dd1ac47c502641e31e5c0d2c6c124d34f1c6570549249489d2a90739e321dbe/Slipping04.jpeg" data-mid="252664331" border="0"  src="https://freight.cargo.site/w/1000/i/5dd1ac47c502641e31e5c0d2c6c124d34f1c6570549249489d2a90739e321dbe/Slipping04.jpeg" /&#62;&#60;img width="5120" height="3415" width_o="5120" height_o="3415" data-src="https://freight.cargo.site/t/original/i/321abb3526cc16fb033231f978e6420a68164d68070bbd41ea7f3e3b8013ad5e/Slipping01.jpeg" data-mid="252664328" border="0"  src="https://freight.cargo.site/w/1000/i/321abb3526cc16fb033231f978e6420a68164d68070bbd41ea7f3e3b8013ad5e/Slipping01.jpeg" /&#62;





</description>
		
	</item>
		
		
	<item>
		<title>Chilgok Transmedia Arts Festival</title>
				
		<link>https://tomfoulsham.com/Chilgok-Transmedia-Arts-Festival</link>

		<pubDate>Sun, 27 Sep 2026 19:16:11 +0000</pubDate>

		<dc:creator>TOMFOULSHAM</dc:creator>

		<guid isPermaLink="true">https://tomfoulsham.com/Chilgok-Transmedia-Arts-Festival</guid>

		<description>

Chilgok Transmedia Arts Festival, South Korea 2023

B♭ Minor Arrangement for 3 Musicians and 1300 Meters on the Nakdong RiverSurface&#38;nbsp; &#38;nbsp;Installation, Yetae Art Museum
A series of works composing rhythm from distance, using the landscape of Chilgok to explore experiences of space and time.
Working with local musicians and boat drivers to choreograph a sound performance using the landscape as a compositional element




&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/7cbc5c1154a5bb5363face42f0376ed17f68bf9bfc2dd8dcf55b04e32fd690fb/light22.JPG" data-mid="252664404" border="0"  src="https://freight.cargo.site/w/1000/i/7cbc5c1154a5bb5363face42f0376ed17f68bf9bfc2dd8dcf55b04e32fd690fb/light22.JPG" /&#62;
&#60;img width="2141" height="2283" width_o="2141" height_o="2283" data-src="https://freight.cargo.site/t/original/i/1dd01fdfbf5b2eb9f2b83676a48cfde35ac704f912c1c38b8b20b778e94c3c4a/Water2b.jpg" data-mid="252664412" border="0"  src="https://freight.cargo.site/w/1000/i/1dd01fdfbf5b2eb9f2b83676a48cfde35ac704f912c1c38b8b20b778e94c3c4a/Water2b.jpg" /&#62;
&#60;img width="2059" height="1170" width_o="2059" height_o="1170" data-src="https://freight.cargo.site/t/original/i/628e455f6c3258c46d7d7393c8872cd34d5c77d176351ac6389ab2cf07066eb3/IMG_9305.jpg" data-mid="252664406" border="0"  src="https://freight.cargo.site/w/1000/i/628e455f6c3258c46d7d7393c8872cd34d5c77d176351ac6389ab2cf07066eb3/IMG_9305.jpg" /&#62;
&#60;img width="3824" height="2160" width_o="3824" height_o="2160" data-src="https://freight.cargo.site/t/original/i/ef90ef0a95c6735e30bb6c06a0de37c0a9c4f975e2938db8f09b35dee7c6827e/vlcsnap-2024-01-10-23h36m59s309.png" data-mid="252664407" border="0"  src="https://freight.cargo.site/w/1000/i/ef90ef0a95c6735e30bb6c06a0de37c0a9c4f975e2938db8f09b35dee7c6827e/vlcsnap-2024-01-10-23h36m59s309.png" /&#62;

Surface Black ink reflecting pool and underwater speakersVisualising the B♭ minor chord played on the Nakdong River flowing outside the museum.3 underwater speakers play the B♭ minor chord, below audible frequency. 
 Ripples are created on the inky water surface distorting light from the
 musicians trumpets.




</description>
		
	</item>
		
		
	<item>
		<title>Hollow Ponds</title>
				
		<link>https://tomfoulsham.com/Hollow-Ponds</link>

		<pubDate>Sun, 27 Sep 2026 19:16:23 +0000</pubDate>

		<dc:creator>TOMFOULSHAM</dc:creator>

		<guid isPermaLink="true">https://tomfoulsham.com/Hollow-Ponds</guid>

		<description>




Hollow Ponds&#38;nbsp; &#38;nbsp;2022

A sculptural performance on water in a public space. A still body of water becomes a stage, the invisible geometry of sound radiating through matter, the rhythmic dance happening inside everything. 

The tones lie below the threshold of hearing and so are silent to our ears. As the two tones meet, a complex interference pattern emerges. Hyperbolic curves and rays ripple outward, etched momentarily on the water's surface.&#38;nbsp;
The ripples are choreographed and produced mechanically by motors positioned under the water.






 


 





	


&#60;img width="1189" height="841" width_o="1189" height_o="841" data-src="https://freight.cargo.site/t/original/i/ef07b3c01403497bd188ebb5c73bed75726d71afc91b161db2706bc277b2ec8c/IMG_5621.jpg" data-mid="252664563" border="0"  src="https://freight.cargo.site/w/1000/i/ef07b3c01403497bd188ebb5c73bed75726d71afc91b161db2706bc277b2ec8c/IMG_5621.jpg" /&#62;
&#60;img width="1280" height="854" width_o="1280" height_o="854" data-src="https://freight.cargo.site/t/original/i/a7e391cbad38ac240bf4e32560eb30e515d1f44f33106160cee26f1b25ff6279/T_POND.jpeg" data-mid="252664562" border="0"  src="https://freight.cargo.site/w/1000/i/a7e391cbad38ac240bf4e32560eb30e515d1f44f33106160cee26f1b25ff6279/T_POND.jpeg" /&#62;
&#60;img width="1200" height="795" width_o="1200" height_o="795" data-src="https://freight.cargo.site/t/original/i/47ab955e127dd14df41c326824c539383ff2dd7fd0f80bfb2d868e576e8258f3/2-starting_s.jpg" data-mid="252664557" border="0"  src="https://freight.cargo.site/w/1000/i/47ab955e127dd14df41c326824c539383ff2dd7fd0f80bfb2d868e576e8258f3/2-starting_s.jpg" /&#62;
&#60;img width="1545" height="1024" width_o="1545" height_o="1024" data-src="https://freight.cargo.site/t/original/i/8270cefa6800c1e89f05c707ed8bbb6892e2f05bb589d7e9c0e3c6f6ad6db369/pair-weave_s.jpg" data-mid="252664558" border="0"  src="https://freight.cargo.site/w/1000/i/8270cefa6800c1e89f05c707ed8bbb6892e2f05bb589d7e9c0e3c6f6ad6db369/pair-weave_s.jpg" /&#62;
&#60;img width="1200" height="704" width_o="1200" height_o="704" data-src="https://freight.cargo.site/t/original/i/9780756a389b2a37587061c3ff2a4f0b150e464ff052674ffdefbe5d19e08d2f/27970001-contrast-crop-S.jpg" data-mid="252664560" border="0"  src="https://freight.cargo.site/w/1000/i/9780756a389b2a37587061c3ff2a4f0b150e464ff052674ffdefbe5d19e08d2f/27970001-contrast-crop-S.jpg" /&#62;




</description>
		
	</item>
		
		
	<item>
		<title>B♭ Minor</title>
				
		<link>https://tomfoulsham.com/B-Minor</link>

		<pubDate>Sun, 27 Sep 2026 19:16:44 +0000</pubDate>

		<dc:creator>TOMFOULSHAM</dc:creator>

		<guid isPermaLink="true">https://tomfoulsham.com/B-Minor</guid>

		<description>



B♭ Minor Arrangement for 3 Musicians and 1300 Meters


 
London Contemporary Music Festival &#38;nbsp;Woolwich 2022&#38;nbsp;
Separations in time created by difference in space.Three notes played simultaneously throughout the performance begin slipping apart through space and time.Rhythms shift as sounds from the past mix with the present.


&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/5faed759813cd2dfd8e38ed68cc3125058fd3d9e4b7d4f58befe37ccabe678cf/05-TomF_LCMF_Clem_Hitchcock.jpg" data-mid="252664798" border="0"  src="https://freight.cargo.site/w/1000/i/5faed759813cd2dfd8e38ed68cc3125058fd3d9e4b7d4f58befe37ccabe678cf/05-TomF_LCMF_Clem_Hitchcock.jpg" /&#62;
&#60;img width="4800" height="3202" width_o="4800" height_o="3202" data-src="https://freight.cargo.site/t/original/i/63924939e0be7afd92170ea7c0820852321e16716c09b89386c9792a37638612/02-TomF_LCMF_Alberto_Romano.jpg" data-mid="252664795" border="0"  src="https://freight.cargo.site/w/1000/i/63924939e0be7afd92170ea7c0820852321e16716c09b89386c9792a37638612/02-TomF_LCMF_Alberto_Romano.jpg" /&#62;
&#60;img width="3202" height="4800" width_o="3202" height_o="4800" data-src="https://freight.cargo.site/t/original/i/fe2c334ea3a7a05e2a4a90a532dade823fe428471b6b13613b761ad7d1a343e5/01-TomF_LCMF_Alberto_Romano.jpg" data-mid="252664794" border="0"  src="https://freight.cargo.site/w/1000/i/fe2c334ea3a7a05e2a4a90a532dade823fe428471b6b13613b761ad7d1a343e5/01-TomF_LCMF_Alberto_Romano.jpg" /&#62;
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/c17ff12c0185f7fbec0314f977c78db9b1cf86d6142a00a9cb8d7e4ec0e2a366/03-TomF_LCMF_Clem_Hitchcock.jpg" data-mid="252664796" border="0"  src="https://freight.cargo.site/w/1000/i/c17ff12c0185f7fbec0314f977c78db9b1cf86d6142a00a9cb8d7e4ec0e2a366/03-TomF_LCMF_Clem_Hitchcock.jpg" /&#62;
&#60;img width="4800" height="3202" width_o="4800" height_o="3202" data-src="https://freight.cargo.site/t/original/i/b63f7f3252a1237ee3fadf38d02080fd609052a657ffa32e003f9b6fa2479c1d/04-TomF_LCMF_Alberto_Romano.jpg" data-mid="252664797" border="0"  src="https://freight.cargo.site/w/1000/i/b63f7f3252a1237ee3fadf38d02080fd609052a657ffa32e003f9b6fa2479c1d/04-TomF_LCMF_Alberto_Romano.jpg" /&#62;
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/099d7a74de4c605d545fef628af227ea0343869a04547d8e4940c63d92f28cca/07-TomF_LCMF_Chris_Raymond.jpg" data-mid="252664800" border="0"  src="https://freight.cargo.site/w/1000/i/099d7a74de4c605d545fef628af227ea0343869a04547d8e4940c63d92f28cca/07-TomF_LCMF_Chris_Raymond.jpg" /&#62;
&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/2ab8a9a01da373e93ea551fa4ea1ab6687108058de743974e13c2c5f1a6f1b9a/06-TomF_LCMF_Clem_Hitchcock.jpg" data-mid="252664799" border="0"  src="https://freight.cargo.site/w/1000/i/2ab8a9a01da373e93ea551fa4ea1ab6687108058de743974e13c2c5f1a6f1b9a/06-TomF_LCMF_Clem_Hitchcock.jpg" /&#62;
&#60;img width="4800" height="3202" width_o="4800" height_o="3202" data-src="https://freight.cargo.site/t/original/i/eb0da777a8760d891fadc817fff0dee384bde2a29f981c039ddca7b30413b498/08-TomF_LCMF_Alberto_Romano.jpg" data-mid="252664801" border="0"  src="https://freight.cargo.site/w/1000/i/eb0da777a8760d891fadc817fff0dee384bde2a29f981c039ddca7b30413b498/08-TomF_LCMF_Alberto_Romano.jpg" /&#62;




	




Performers &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Chris Vickers&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp; &#38;nbsp; - Trumpet&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Dylan Kirk &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; - Trumpet&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Michael Tasker&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;- Trombone
 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Ben Palmer Fry&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;- Boat&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
Chris Raymond&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;- Boat&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Ryan, McLoughlin &#38;nbsp; - Boat&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Tony Mason &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; - Boat
&#38;nbsp; &#38;nbsp;Special Thanks&#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Clem Hitchcock
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Tim Sargent
 
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Tim Norman&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Penny Dearman &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp;J ames Merchant


&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 

Igor Toronyi-LalicJack Sheen


Photo credits :
Alberto Romano + Clem Hitchcock +&#38;nbsp;

Chris Raymond

</description>
		
	</item>
		
	</channel>
</rss>